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I caught up on the Foundation finally. I'd say it's not too bad and they did take some effort to cover some of Asimov's points. Again, Asimov was a sci-fi purist, very little coverage on emotions or sex (the first two episodes had more talking about emotions and sex than 12 books added together). The story might be headed in a direction that may (or may not) be congruent with Asimov's ideas. But it's interesting that they've consistently avoided to verbalize the Foundation books' recurrent statement: "Violence is the last refuge of the incompetent". So the jury is still out, I'll say it's enjoyable and IMHO the actress playing Salvor Hardin carries the story on her back like a Mule (pun intended).But he didn’t reference Prelude in, say, Foundation and Empire. I actually read the original trilogy as a single bound book first, followed immediately by Foundation’s Edge. The only reason I remember exactly is because I read them while pregnant and right after the birth of my son in 1983. The others I read as they were released.
Just caught up with Invasion too, and this is where it really stands out. Apple is puritanic AF with both violence and sexuality. This is sorta ambivalent for me. On one hand sure, they try to keep a morally responsible stance, but on the other, without the visual aspects of either it's nearly impossible to capture the complexities that come with sex or violence. It also makes story lines predictable. So...I don't expect Apple to decode the secret sauce of HBO.