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Watching Kimi from Soderbergh. https://www.npr.org/2022/02/11/1079849080/kimi-review-steven-soderbergh-zoe-kravitz
It's a little neo-noir masterpiece.
On my list…
Watching Kimi from Soderbergh. https://www.npr.org/2022/02/11/1079849080/kimi-review-steven-soderbergh-zoe-kravitz
It's a little neo-noir masterpiece.
What I really loved about the movie, and this is why I called it "little", is that it didn't try to oversell itself. It's a solid 90 minutes. Cliff Martinez did yet again a fantastic score. Reminded me of his Solaris soundtrack, but infused with 1950s McCarthy era paranoid noir. Even the colors were dulled to reflect that, and a lot of the tricks, like tilted camera angles, narrow hallways, intentionally blurry outlines of antagonists, and reduced frame rate chases to imitate a dream state etc. Such a competent movie.Funny, I was watching it at the same time—and I agree with your assessment.
The first 30 minutes seem interminable, but once it gets going it’s thrilling.
And now if you’ll excuse me I’ve got to go turn off location services.
I think this is a reasonable business model (at least for me as the consumer). I haven't been in the movie theater since Prometheus (it was a major mistake watching it the day before an 8-hour exam..continuous flashbacks). To me watching scandinavian arthouse/independent cinema projected on my wall was more than enough.Between this and movies like "No Sudden Move", it's almost like a return to the '70s when "Movie of the Week" went in for "little" films that were shorter and had TV-level stars and much smaller budgets. (Not that many of those were good, but there were a few great ones in there like "The Night Stalker" and "Brian's Song").
Now it's as if guys like Soderbergh are happy to make smaller, less splashy films for HBOMax and let the theaters have the huge, expensive, star-studded movies like "The Batman" and "Death on the Nile". And that works. As much as I liked "Kimi", I can't see the point of paying to see it on a huge screen in a theater.
Fight Club gets a new ending in China - and the authorities win
A new version of the movie available to Chinese audiences transforms the anarchist message of the originalwww.theguardian.com
Original Fight Club ending restored in China after backlash
‘Dystopian’ reversal of 1999 cult film’s ending showed police winning outwww.theguardian.com
Since the Oscars are close, did anyone like Power of the Dog (2021)?
If so why? I’m not against drama, but I did not like it, and won’t argue with anyone who calls the story a good one. I probably prefer him as Dr Strange.
I watched it a while back and remember liking it. Before I watched I heard a lot of people complaining it was too slow paced and in a way that helped my viewing experience in advance. I also respected that almost constant air of tension. You never quite knew how a situation was going to work itself out and I thought the revenge at the end was creative and satisfying.
It's up for a number of Academy awards, but it should, at the very least, win for score (Jonny Greenwood), though the Hans Zimmer Dune score is pretty stellar.
And I'm 98% sure Jane Campion is going to bring home the Best Director for it too.
Watching Kimi from Soderbergh. https://www.npr.org/2022/02/11/1079849080/kimi-review-steven-soderbergh-zoe-kravitz
It's a little neo-noir masterpiece.
Funny, I was watching it at the same time—and I agree with your assessment.
The first 30 minutes seem interminable, but once it gets going it’s thrilling.
And now if you’ll excuse me I’ve got to go turn off location services.
Death to Smoochy is one of my favorite comedies. I had no idea it was a box office bomb. Recommend.
According to the vid I linked, it’s gained some cult appreciation over the years. I‘ve disliked many Robin Williams projects over the years but dark Robin Williams is the best Robin Williams. Edward Norton crushes it in that film too.It takes a very specific personality type to like that movie. Have you met the other 2 people yet?
According to the vid I linked, it’s gained some cult appreciation over the years. I‘ve disliked many Robin Williams projects over the years but dark Robin Williams is the best Robin Williams. Edward Norton crushes it in that film too.
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