- Joined
- Aug 11, 2020
- Posts
- 5,627
Lol, my error. That is who I was thinking about. I even did a search on it, and it produced, this image:I think you meant Foghorn Leghorn. Longhorn Leghorn was the other one from Texas.
Glass Onion: A Knives Out Mystery (2022 Netflix)- I liked it, but it kind of lost it’s mystery half way though when the narrative started explaining and showing all the things the audience was unaware for the first half. Good to see Ed Norton back along with Dave Bautista, featuring elderly Daniel Craig.
Bullet Train (2022)- You might enjoy this if you can get past the farsical nature of the story, an empty train with mayhem onboard and apparently none of the train staff notice, but it has a pretty good and thoroughly unbelievable.train wreck
For BT, it would be interesting to do a direct comparison of the movie to the source material to see how many liberties were taken and how it strikes me. For some movies I find myself drawn in and vested, for others the story feels like It’s on rails and I know where the rails lead. This story had many unexpected elements, but it felt more like watching a cartoon.I think I enjoyed it because it wasn't trying to go all in on the mystery elements. It's a sort of drama/comedy that uses the mystery film framework. But I'm also not huge on mystery films as a genre, so that may be part of it too. My partner likes the first one more, while I actually think I like both pretty equally, but for different reasons.
Janelle Monáe's performance was one of the best parts of the new one for me.
This one strikes me as a less dark, and less ugly Quentin Tarantino film. It's still a dark comedy, but it has more fun in the farce in a way that makes it a good movie for sitting down and just enjoying something. To be honest, I'm much more likely to come back and rewatch this than Django Unchained, even though I think Django Unchained is the better film between the two.
And apparently a surprisingly decent adaptation of the novel it is based on.
Bullet Train (2022)- You might enjoy this if you can get past the farsical nature of the story, an empty train with mayhem onboard and apparently none of the train staff notice, but it has a pretty good and thoroughly unbelievable.train wreck
For BT, it would be interesting to do a direct comparison of the movie to the source material to see how many liberties were taken and how it strikes me. For some movies I find myself drawn in and vested, for others the story feels like It’s on rails and I know where the rails lead. This story had many unexpected elements, but it felt more like watching a cartoon.
I’m curious about the humor in the movie as compared to the source material.I have some credit with Amazon, so I’m tempted to try the e-book, knowing that it might still lose a little something in translation from the original Japanese. But if you are curious about the changes: https://screenrant.com/bullet-train-movie-book-comparison-differences/
One novel that I wish would get a more direct adaptation at some point is The Running Man. The movie we got still had it’s moments, but I am not sure how you could top an action-movie style ending of the protagonist, having stolen a private jet from the big bad TV network, barely alive after a big confrontation and leaking his guts out (literally), flying that private jet into the office of the executive of said big bad TV network, while giving him the bird. Arnold was robbed of a pretty glorious ending, in my opinion.
Pirates (rented with Amazon credits) - "Three eighteen-year-old friends journey from North to South London to celebrate New Year's Eve at the turn of the millennium."
Watched after someone posted a funny movie clip in a Jamaican restaurant. Reminded us about the rude service we use to get at out fav spot in Brooklyn. Funny, spot on and a bit of a breather from all the nonsense lately.
I completely agree. After the The Shannara Chronicles, I'm not sure what I expected in Elvis. But Austin worked his arse off for this film and it shows.Elvis (2022)- Excellent, sad, outstanding performance by Austin Butler.
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